{"title":"Lampoon","description":"\u003ch3 style=\"text-align: center;\" class=\"collection-hero__title\"\u003ePurple\u003c\/h3\u003e\n\u003cdiv class=\"collection-hero__description rte\"\u003e\n\n\u003cdiv style=\"text-align: center;\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0646\/9638\/5761\/files\/Purple-_-0fr.-Paris-0fr.-Tokyo-_-_-BOUTIQUE-ROMANTIQUE.jpg?v=1758548569\"\u003e\u003c\/div\u003e\n\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\n\u003ch5 style=\"text-align: center;\"\u003e\n\n\u003cmeta charset=\"utf-8\"\u003e\"Purple Prose\" was launched in Paris in 1992 by fashion writer Elein Fleiss and photographer Olivier Zahm. It gained attention as an underground magazine spanning fashion and contemporary art. After Fleiss left in 2004, OZ took the lead, developing several spin-off magazines such as \"Purple Fashion\" and \"Purple Journal,\" evolving it into a globally influential publication. Beyond the realm of magazines, it engages in experimental activities across fashion, art, photography, and design.\u003c\/h5\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\n\u003ch5 style=\"text-align: center;\"\u003e*Authorized retailer of Purple\u003c\/h5\u003e\n\n\n\u003c\/div\u003e","products":[{"product_id":"lampoon-33-meccano-the-dynamic-issue","title":"Lampoon 33 MECCANO Jean Paul Gaultier","description":"\u003cp\u003e\u003cspan\u003eSize : 242 × 322 mm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ehardcover, 424\u003c\/span\u003e\u003cspan\u003e pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecolor, black and white\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e2026\u003c\/p\u003e\n\u003ch5\u003e\n\n\u003cmeta charset=\"utf-8\"\u003eThe latest issue of the Milanese culture magazine \u003cem data-end=\"964\" data-start=\"955\"\u003eLampoon\u003c\/em\u003e. \u003cmeta charset=\"utf-8\"\u003eLampoon Issue 33 \"MECCANO\" is a print publication. This issue is structured around the conceptual themes of systems, machines, and human cognition under the pressure of technology. Furthermore, this issue explores the relationship between artificial intelligence, labor, and cultural production, positioning \"thought itself\" as an act of resistance in an environment where attention is increasingly optimized and simplified. The editorial framework is composed of contributions that traverse the fields of architecture, art, theory, and performance. Key topics include the algorithmic impact on information, diagrammatic thinking as a political and visual tool, and the transformation of authorship in machine-assisted creation. A multi-layered set of references unfolds, from theoretical perspectives to practical design, photography, and physical expression. Contributors include Romain Laprade, who deals with post-brutalist architecture in Uzbekistan, OMA\/AMO, who deal with diagrammatic structures, Goshka Macuga, who explores systemic processes, Clara Hastrup, whose theme is illusion and construction, Mat Maitland, who deals with AI-generated images, and Yuko Mohri, who deals with the interaction between mechanical systems and the environment. Additionally, a special feature focusing on the body and prosthetics includes Xiao Yang, who explores post-human body images, Hugh Herr, who researches biomechatronics, and Andrea Lanfri and Corrado Polzoni, who treat bionic structures as material systems. Furthermore, Ohad Naharin presents a perspective on movement that views the body as a nonlinear system through the GAGA method. In his foreword, editor-in-chief Carlo Mazzoni quotes Umberto Eco and Miuccia Prada, positioning cultural production as a process rooted in \"learning, analysis, and critical observation.\" This book is structured as a complex arrangement where text, images, and diagrams function in parallel, each being an independent yet mutually complementary means of expression.\u003c\/h5\u003e","brand":"LAMPOON","offers":[{"title":"Default Title","offer_id":48247661723873,"sku":null,"price":8800.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0646\/9638\/5761\/files\/Lampoon-33-MECCANO-Jean-Paul-Gaultier_66771449-c5fb-4bbb-83bf-4640c645387c.jpg?v=1777398509"},{"product_id":"lampoon-33-meccano-xiao-yang","title":"Lampoon 33 MECCANO Xiao Yang","description":"\u003cp\u003e\u003cspan\u003eSize : 242 × 322 mm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ehardcover, 424\u003c\/span\u003e\u003cspan\u003e pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecolor, black and white\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e2026\u003c\/p\u003e\n\u003ch5\u003e\n\n\u003cmeta charset=\"utf-8\"\u003eThe latest issue of \u003cem data-end=\"964\" data-start=\"955\"\u003eLampoon\u003c\/em\u003e, a culture magazine from Milan. Lampoon Issue 33 \"MECCANO\"** is a print publication. This issue is structured around conceptual themes such as systems, machines, and human cognition under the pressure of technology. Furthermore, this issue explores the relationship between artificial intelligence, labor, and cultural production, positioning \"thought itself\" as an act of resistance in an environment of increasing optimization and simplification of attention. The editorial framework is composed of contributions that span architecture, art, theory, and performance. Key topics include the algorithmic influence on information, diagrammatic thinking as a political and visual tool, and the transformation of authorship in machine-assisted creation. Multi-layered references unfold, from theoretical perspectives to practical design, photography, and physical expression. Contributors include Romain Laprade, who deals with post-brutalist architecture in Uzbekistan, OMA\/AMO, who deals with diagrammatic structures, Goshka Macuga, who explores systemic processes, Clara Hastrup, who focuses on illusion and construction, Mat Maitland, who deals with AI-generated images, and Yuko Mohri, who deals with the interaction between mechanical systems and the environment. A special feature on the body and prosthetics includes Xiao Yang, who explores post-human body images, Hugh Herr, who researches biomechatronics, and Andrea Lanfri and Corrado Polzoni, who treat bionic structures as material systems. Ohad Naharin also presents a movement perspective that views the body as a nonlinear system through the GAGA method. 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Furthermore, this issue explores the relationship between artificial intelligence, labor, and cultural production, positioning \"thought itself\" as an act of resistance in an environment where optimization and simplification of attention are advancing. The editorial framework is composed of contributions that cross domains such as architecture, art, and theory, and performance. Key topics include the algorithmic impact on information, diagrammatic thinking as a political and visual tool, and the transformation of authorship in machine-assisted production. A multi-layered network of references unfolds, from theoretical perspectives to practical design, photography, and physical expression. Contributors include Romain Laprade, who addresses post-Brutalist architecture in Uzbekistan, OMA\/AMO, who addresses diagrammatic structures, Goshka Macuga, who explores systemic processes, Clara Hastrup, who addresses illusion and construction, Mat Maitland, who addresses AI-generated images, and Yuko Mohri, who addresses the interaction between mechanical systems and the environment. Also, in a special feature focusing on the body and prostheses, Xiao Yang explores post-human body images, Hugh Herr researches biomechatronics, and Andrea Lanfri and Corrado Polzoni treat bionic structures as material systems. Furthermore, Ohad Naharin presents a perspective on movement that views the body as a nonlinear system through the GAGA method. In his preface, editor-in-chief Carlo Mazzoni quotes Umberto Eco and Miuccia Prada, positioning cultural production as a process rooted in \"learning, analysis, and critical observation.\" This book is structured as a complex composition where text, images, and diagrams function in parallel, each being an independent yet mutually complementary means of expression.\u003c\/h5\u003e","brand":"LAMPOON","offers":[{"title":"Default Title","offer_id":48257111163105,"sku":null,"price":8800.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0646\/9638\/5761\/files\/Lampoon-33-MECCANO-Raya-Martigny.jpg?v=1777398696"},{"product_id":"lampoon-33-meccano-the-back-studio","title":"Lampoon 33 MECCANO The Back Studio","description":"\u003cp\u003e\u003cspan\u003eSize : 242 × 322 mm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ehardcover, 424\u003c\/span\u003e\u003cspan\u003e pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecolor, black and white\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e2026\u003c\/p\u003e\n\u003ch5\u003e\n\n\u003cmeta charset=\"utf-8\"\u003eThe latest issue of Milan-based culture magazine \u003cem\u003eLampoon\u003c\/em\u003e. \u003cem\u003eLampoon\u003c\/em\u003e Issue 33 \"MECCANO\" is a print publication. This issue is structured around conceptual themes such as systems, machines, and human cognition under the pressure of technology. Furthermore, this issue explores the relationship between artificial intelligence, labor, and cultural production, positioning \"thinking itself\" as an act of resistance in an environment where attention is increasingly optimized and simplified. The editorial framework is composed of contributions that traverse the fields of architecture, art, theory, and performance. Key topics include the algorithmic impact on information, diagrammatic thinking as a political and visual tool, and the transformation of authorship in machine-assisted creation. Multi-layered references unfold, from theoretical perspectives to practical design, photography, and bodily expression. Contributors include Romain Laprade, who addresses post-brutalist architecture in Uzbekistan, OMA\/AMO, who deals with diagrammatic structures, Goshka Macuga, who explores systemic processes, Clara Hastrup, whose themes are illusion and construction, Mat Maitland, who deals with AI-generated images, and Yuko Mohri, who addresses the interaction between mechanical systems and the environment. Additionally, a special feature focusing on the body and prosthetics includes Xiao Yang, who explores post-human body images, Hugh Herr, who researches biomechatronics, and Andrea Lanfri and Corrado Polzoni, who treat bionic structures as material systems. Furthermore, Ohad Naharin presents a movement perspective that views the body as a nonlinear system through the GAGA method. In his preface, editor-in-chief Carlo Mazzoni quotes Umberto Eco and Miuccia Prada, positioning cultural production as a process rooted in \"learning, analysis, and critical observation.\" This book is structured as a complex arrangement where text, images, and diagrams function in parallel, each serving as an independent yet mutually complementary means of expression.\u003c\/h5\u003e","brand":"LAMPOON","offers":[{"title":"Default Title","offer_id":48257112539361,"sku":null,"price":8800.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0646\/9638\/5761\/files\/Lampoon-33-MECCANO-The-Back-Studio.jpg?v=1777398800"},{"product_id":"lampoon-33-meccano-chanel-ss26","title":"Lampoon 33 MECCANO Chanel SS26","description":"\u003cp\u003e\u003cspan\u003eSize : 242 × 322 mm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ehardcover, 424\u003c\/span\u003e\u003cspan\u003e pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecolor, black and white\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e2026\u003c\/p\u003e\n\u003ch5\u003e\n\n\u003cmeta charset=\"utf-8\"\u003eThe latest issue of the Milan-based culture magazine \u003cem\u003eLampoon\u003c\/em\u003e. Lampoon Issue 33 \"MECCANO\"** is a print publication. This issue is organized around conceptual themes such as systems, machinery, and human cognition under the pressure of technology. Furthermore, this issue examines the relationship between artificial intelligence, labor, and cultural production, positioning \"thought itself\" as an act of resistance in an environment where attention is increasingly optimized and simplified. The editorial framework is composed of contributions that cross domains such as architecture, art, and theory and performance. Key topics include the algorithmic impact on information, diagrammatic thinking as a political and visual tool, and the transformation of authorship in machine-assisted production. A multi-layered set of references is presented, ranging from theoretical perspectives to practical design, photography, and physical expression. Contributors include Romain Laprade, who addresses post-Brutalist architecture in Uzbekistan, OMA\/AMO, who addresses diagrammatic structures, Goshka Macuga, who explores systemic processes, Clara Hastrup, who addresses illusion and construction, Mat Maitland, who addresses AI-generated images, and Yuko Mohri, who addresses the interaction between mechanical systems and the environment. In addition, a special feature on the body and prosthetics includes Xiao Yang, who explores post-human body images, Hugh Herr, who researches biomechatronics, and Andrea Lanfri and Corrado Polzoni, who treat bionic structures as material systems. Furthermore, Ohad Naharin presents a perspective on movement that views the body as a non-linear system through the GAGA method. In his introduction, Editor-in-Chief Carlo Mazzoni quotes Umberto Eco and Miuccia Prada, positioning cultural production as a process rooted in \"learning, analysis, and critical observation.\" This book is structured as a complex composition in which text, images, and diagrams function in parallel, each serving as an independent yet mutually complementary means of expression.\u003c\/h5\u003e","brand":"LAMPOON","offers":[{"title":"Default Title","offer_id":48257117192417,"sku":null,"price":8800.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0646\/9638\/5761\/files\/Chanel-SS26.jpg?v=1777398865"},{"product_id":"lampoon-33-meccano-tiffany-co-nick-knight","title":"Lampoon 33 MECCANO Tiffany \u0026 Co. Nick Knight","description":"\u003cp\u003e\u003cspan\u003eSize : 242 × 322 mm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ehardcover, 424\u003c\/span\u003e\u003cspan\u003e pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecolor, black and white\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e2026\u003c\/p\u003e\n\u003ch5\u003e\n\n\u003cmeta charset=\"utf-8\"\u003eThe latest issue of the Milan-based culture magazine \u003cem data-end=\"964\" data-start=\"955\"\u003eLampoon\u003c\/em\u003e. \u003cmeta charset=\"utf-8\"\u003eLampoon Issue 33 \"MECCANO\"** is a print publication centered around conceptual themes such as systems, machinery, and human cognition under the pressure of technology. This issue also explores the relationship between artificial intelligence, labor, and cultural production, positioning \"thought itself\" as an act of resistance in an environment where attention is increasingly optimized and simplified. The editorial framework is composed of contributions that cut across the fields of architecture, art, theory, and performance. Key topics include the algorithmic impact on information, diagrammatic thinking as a political and visual tool, and the transformation of authorship in machine-assisted production. Multi-layered references unfold from theoretical perspectives to practical design, photography, and physical expression. Contributors include Romain Laprade, who addresses post-Brutalist architecture in Uzbekistan; OMA\/AMO, who deal with diagrammatic structures; Goshka Macuga, who explores systemic processes; Clara Hastrup, whose work revolves around illusion and construction; Mat Maitland, who handles AI-generated images; and Yuko Mohri, who examines the interaction between mechanical systems and the environment. Additionally, a special feature focusing on the body and prosthetics includes Xiao Yang, who explores post-human body images; Hugh Herr, who researches biomechatronics; and Andrea Lanfri and Corrado Polzoni, who treat bionic structures as material systems. Ohad Naharin also presents a perspective on movement that views the body as a nonlinear system through the GAGA method. In his preface, editor-in-chief Carlo Mazzoni quotes Umberto Eco and Miuccia Prada, positioning cultural production as a process rooted in \"learning, analysis, and critical observation.\" This publication is structured as a complex composite where text, images, and diagrams function in parallel, each serving as an independent yet mutually complementary means of expression.\u003c\/h5\u003e","brand":"LAMPOON","offers":[{"title":"Default Title","offer_id":48389769756897,"sku":null,"price":8800.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0646\/9638\/5761\/files\/Lampoon-33-MECCANO-Tiffany-_-Co.-Nick-Knight.jpg?v=1779336634"},{"product_id":"lampoon-33-meccano-goshka-macuga","title":"Lampoon 33 MECCANO Goshka Macuga","description":"\u003cp\u003e\u003cspan\u003eSize : 242 × 322 mm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ehardcover, 424\u003c\/span\u003e\u003cspan\u003e pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecolor, black and white\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e2026\u003c\/p\u003e\n\u003ch5\u003e\n\n\u003cmeta charset=\"utf-8\"\u003eThe latest issue of Milan-based culture magazine \u003cem\u003eLampoon\u003c\/em\u003e. \u003cmeta charset=\"utf-utf-8\"\u003eLampoon Issue 33, “MECCANO,” is a print publication organized around the conceptual themes of systems, machines, and human cognition under technological pressure. The issue explores the relationship between artificial intelligence, labor, and cultural production, positioning “thought itself” as an act of resistance in an environment where attention is increasingly optimized and simplified. The editorial framework is composed of contributions that cut across architecture, art, theory, and performance. Key topics include the algorithmic impact on information, diagrammatic thinking as a political and visual tool, and the transformation of authorship in machine-assisted creation. Multilayered references are unfolded, from theoretical perspectives to practical design, photography, and physical expression. 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