{"product_id":"pre-order-system-issue-no-25-jonathan-anderson","title":"System Issue No. 25 Jonathan Anderson (B-Grade)","description":"\u003cp\u003e\u003cspan\u003eSize :  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e230 x 300 mm mm    \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSoftcover\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e344 pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecolor, black and white\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003epublished by System Magazine\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eOne of the most compelling aspects of Jonathan Anderson's first year at Dior has been his ability to distort and compress the concept of \"time.\" Since his appointment, the pendulum has swung from 18th-century Jean-Baptiste-Siméon Chardin paintings to Andy Warhol's late 20th-century portraits of Lee Radziwill and Jean-Michel Basquiat, and now to his latest campaign visuals created with David Sims, already forming a distinctive visual identity that defines his era.\u003c\/p\u003e\n\u003cp\u003eIn the collections, he playfully reinterprets and subverts approximately 80 years of historical codes, exemplified by Christian Dior's Bar Jacket. For Anderson, the past is material to be unearthed, reconstructed, and presented as contemporary.\u003c\/p\u003e\n\u003cp\u003eThis theme of \"time\" repeatedly emerged during the hours-long interview conducted for this issue's cover story. He revisits the origins of the maison in a conversation with Yorn Michaelsen, who assisted Christian Dior in the 1950s, and discusses the realization of his five-year vision of unifying tradition and modernity in dialogues with Tim Blanks, Jennifer Lawrence, Magdalene Odundo, and Sims.\u003c\/p\u003e\n\u003cp\u003eIn other features, time manifests in various forms. Amanda Harlech reflects on John Galliano's early intensity and her career spanning years with Karl Lagerfeld at Chanel. In a portfolio shot by Juergen Teller at a historic estate in North Wales, styled by his daughter Tallulah, she embodies an intergenerational dialogue by mixing this season's collection with her personal archives.\u003c\/p\u003e\n\u003cp\u003eFurthermore, Miguel Castro Freitas discusses how his childhood memories of sketching his first collections and the futuristic works of Thierry Mugler, which he encountered through a TV show in Portugal, influence his current creations.\u003c\/p\u003e\n\u003cp\u003eAdditionally, with ARCHIVISM's reinterpretation of vintage luxury for a new Chinese audience and Will Welch's refresh of GQ's \"new masculinity,\" issue no. 25 of this magazine views time not as something that \"passes,\" but as something \"we shape and are shaped by.\"\u003c\/p\u003e\n\u003cp data-start=\"0\" data-end=\"259\"\u003e \u003c\/p\u003e","brand":"System Magazine","offers":[{"title":"Default Title","offer_id":48101768265953,"sku":null,"price":3000.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0646\/9638\/5761\/files\/System-Issue-No.-25-Jonathan-Anderson.jpg?v=1774032743","url":"https:\/\/boutique-romantique.jp\/en\/products\/pre-order-system-issue-no-25-jonathan-anderson","provider":"BOUTIQUE ROMANTIQUE","version":"1.0","type":"link"}