From street signs and packaging to posters, Helvetica: Homage to a Typeface looks at how one typeface became part of everyday visual culture. Designed in 1957 by Swiss typographer Max Miedinger as Haas Grotesk, it was later renamed Helvetica and adopted around the world. Across 400 illustrations, Lars Müller places carefully composed designs alongside ordinary lettering found in the street, showing how differently the same typeface can read from one setting to the next.