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LAMPOON

Lampoon 33 MECCANO Goshka Macuga

Lampoon 33 MECCANO Goshka Macuga

Regular price ¥8,800
Regular price Sale price ¥8,800
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Nationwide flat rate of 550 JPY (tax included), free shipping for orders 20,000 JPY (tax included) or more.

Size : 242 × 322 mm

hardcover, 424 pages

color, black and white

2026

The latest issue of Milan-based culture magazine Lampoon. Lampoon Issue 33, “MECCANO,” is a print publication organized around the conceptual themes of systems, machines, and human cognition under technological pressure. The issue explores the relationship between artificial intelligence, labor, and cultural production, positioning “thought itself” as an act of resistance in an environment where attention is increasingly optimized and simplified. The editorial framework is composed of contributions that cut across architecture, art, theory, and performance. Key topics include the algorithmic impact on information, diagrammatic thinking as a political and visual tool, and the transformation of authorship in machine-assisted creation. Multilayered references are unfolded, from theoretical perspectives to practical design, photography, and physical expression. Contributors include Romain Laprade, who deals with post-brutalist architecture in Uzbekistan; OMA/AMO, who deal with diagrammatic structures; Goshka Macuga, who explores systemic processes; Clara Hastrup, who themes illusion and construction; Mat Maitland, who deals with AI-generated images; and Yuko Mohri, who deals with the interaction of mechanical systems and the environment. A special feature on the body and prosthetics includes Xiao Yang, who explores post-human body images; Hugh Herr, who researches biomechatronics; and Andrea Lanfri and Corrado Polzoni, who treat bionic structures as material systems. Ohad Naharin also presents a movement perspective that views the body as a nonlinear system through the GAGA method. In his preface, editor-in-chief Carlo Mazzoni quotes Umberto Eco and Miuccia Prada, positioning cultural production as a process rooted in “learning, analysis, and critical observation.” The book is structured as a complex composition where text, images, and diagrams function in parallel, each an independent yet complementary means of expression.

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